With this final set, Warrior Soul, I wanted to look at a different kind of internal journey, one defined by duty, the scars of conflict, and the eventual search for stillness. While the previous sets explored more personal or shared emotional landscapes, this one feels more grounded in the weight of history and the archetype of the protector.
Part 1 takes us straight into the tension of the frontline. I’ve used a palette that feels dusty and expectant, capturing that sharp moment of clarity before the storm of battle. There’s a raw, physical readiness here; the spirit is focused, disciplined, and ready to face whatever comes.
In Part 2, the tone shifts dramatically. The background is one of smoke and ruins, the inevitable aftermath of any great struggle. I wanted to capture the look in the eyes of someone who has survived but is left standing amongst the wreckage. It’s about the heavy cost of endurance and the moment of questioning that follows the noise of conflict.
Finally, Part 3 brings us to a place of release. I’ve swapped the sword and the battlefield for a softer, sunset-drenched horizon. The warrior is no longer looking for an enemy; he’s looking inward. It’s the final "lifetime" of the soul, the transition from being a weapon to being at peace. I used much warmer, deeper oranges and purples here to signify the setting of a long, difficult day.
Completing this Three Lifetimes collection has been a deeply personal process for me. Living here in Cardiff, where the history of the landscape is so visible, I’m constantly reminded that we are all products of the battles we’ve fought and the peace we’ve eventually found. I hope Warrior Soul resonates with that part of you that has had to be strong, and that it offers a sense of quiet resolution for your own space.
With this final set, Warrior Soul, I wanted to look at a different kind of internal journey, one defined by duty, the scars of conflict, and the eventual search for stillness. While the previous sets explored more personal or shared emotional landscapes, this one feels more grounded in the weight of history and the archetype of the protector.
Part 1 takes us straight into the tension of the frontline. I’ve used a palette that feels dusty and expectant, capturing that sharp moment of clarity before the storm of battle. There’s a raw, physical readiness here; the spirit is focused, disciplined, and ready to face whatever comes.
In Part 2, the tone shifts dramatically. The background is one of smoke and ruins, the inevitable aftermath of any great struggle. I wanted to capture the look in the eyes of someone who has survived but is left standing amongst the wreckage. It’s about the heavy cost of endurance and the moment of questioning that follows the noise of conflict.
Finally, Part 3 brings us to a place of release. I’ve swapped the sword and the battlefield for a softer, sunset-drenched horizon. The warrior is no longer looking for an enemy; he’s looking inward. It’s the final "lifetime" of the soul, the transition from being a weapon to being at peace. I used much warmer, deeper oranges and purples here to signify the setting of a long, difficult day.
Completing this Three Lifetimes collection has been a deeply personal process for me. Living here in Cardiff, where the history of the landscape is so visible, I’m constantly reminded that we are all products of the battles we’ve fought and the peace we’ve eventually found. I hope Warrior Soul resonates with that part of you that has had to be strong, and that it offers a sense of quiet resolution for your own space.
